Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Angelika Kauffmann
Ohnmacht der Julia, Gattin des Pompeius als sie dessen blutbefleckte Tunika erkennt

ID: 45173

Angelika Kauffmann Ohnmacht der Julia, Gattin des Pompeius als sie dessen blutbefleckte Tunika erkennt
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Angelika Kauffmann Ohnmacht der Julia, Gattin des Pompeius als sie dessen blutbefleckte Tunika erkennt


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Angelika Kauffmann

1741-1807,Swiss neoclassical painter and graphic artist. From her youth she was known for her artistic, musical, and linguistic abilities. She went to England, where she enjoyed success as a fashionable portrait painter and decorator. A protegee of Sir Joshua Reynolds, Kauffman was one of the original members of the Royal Academy. She often decorated houses designed by the Adam brothers. After her marriage in 1781 to the Venetian painter Antonio Zucchi, she lived in Italy, where she flourished in artistic and literary circles. Reynolds, Winckelmann, Goethe, and Garrick commissioned her to paint their portraits. Representative works include Religion (National Gall., London); Self-Portrait (Staatliche Museen, Berlin); and the etchings of L'Allegra and La Pensierosa. The British Museum has a collection of her drawings and prints.  Related Paintings of Angelika Kauffmann :. | Christus und die Samariterin | Amors Rache | Das Urteil des Paris | Allegorie des Herbstes | Penelope wird von Eurykleia Geweckt |
Related Artists:
Amadeo Preziosi
Italian Painter, 1816-1882
Orozco, Jose Clemente
Mexican, 1883-1949 Mexican mural painter. When he lost his left hand at age 17, he abandoned architectural studies for painting, pursuing Mexican themes. As a caricaturist for a revolutionary paper, he explored Mexico City's slums and painted a series of watercolours, House of Tears, on the lives of prostitutes. The reaction of moralists forced him to flee to the U.S. in 1917, but in 1919 the new government of Álvaro Obreg??n welcomed him back, and he joined Diego Rivera and David Alfaro Siqueiros in creating large-scale murals for public buildings, in which he continued his radical social commentary. Again forced to abandon Mexico in 1927, he worked until 1934 in the U.S., where his style evolved and matured in murals from coast to coast. In 1934, his international reputation firmly established, he returned to Mexico and embarked on his most technically impressive and emotionally expressive murals, including Catharsis (1934),
Susanne Henry
in 18th centery.






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