Alma Tadema
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Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Angelika Kauffmann
Ohnmacht der Julia, Gattin des Pompeius als sie dessen blutbefleckte Tunika erkennt

ID: 45173

Angelika Kauffmann Ohnmacht der Julia, Gattin des Pompeius als sie dessen blutbefleckte Tunika erkennt
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Angelika Kauffmann Ohnmacht der Julia, Gattin des Pompeius als sie dessen blutbefleckte Tunika erkennt


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Angelika Kauffmann

1741-1807,Swiss neoclassical painter and graphic artist. From her youth she was known for her artistic, musical, and linguistic abilities. She went to England, where she enjoyed success as a fashionable portrait painter and decorator. A protegee of Sir Joshua Reynolds, Kauffman was one of the original members of the Royal Academy. She often decorated houses designed by the Adam brothers. After her marriage in 1781 to the Venetian painter Antonio Zucchi, she lived in Italy, where she flourished in artistic and literary circles. Reynolds, Winckelmann, Goethe, and Garrick commissioned her to paint their portraits. Representative works include Religion (National Gall., London); Self-Portrait (Staatliche Museen, Berlin); and the etchings of L'Allegra and La Pensierosa. The British Museum has a collection of her drawings and prints.  Related Paintings of Angelika Kauffmann :. | Skizze zum Familienbildnis Bariatinskaja | Angelika Kauffmann nach Correggio Die Verlobung der Hl Katharina | Bildnis Johann Friedrich Reiffenstein | Selbstbildnis | Bildnis Michael Novosielski |
Related Artists:
Master Of The Parrot
painted Mary Magdalen in between 1525(1525) and 1550(1550)
WEENIX, Jan
Dutch painter (b. 1642, Amsterdam, d. 1719, Amsterdam).
Thomas Wilmer Dewing
1851-1938 Thomas Wilmer Dewing Gallery was an American painter working at the turn of the 20th century. He was born in Newton Lower Falls, Massachusetts. He studied at the Acad??mie Julian in Paris, and later settled into a studio in New York City. He married Maria Oakey Dewing, an accomplished painter with extensive formal art training and familial links with the art world. He is best known for his tonalist paintings, a sub-genre of American art that was rooted in English Aestheticism. Dewing's preferred vehicle of artistic expression is the female figure. Often seated playing instruments, writing letters, or engaged in other impassive actions and situated in gauzy, dreamy interiors, the figures remain remote and distant to the viewer. These scenes are infused with a color that pervades the entire picture, setting tone and mood. The ethereal delicacy and subtle color harmonies of Dewing's paintings have not met with universal approval: some feminist critics have lambasted Dewing's work as being misogynistic; he rarely painted anything other than the female figure, vacant of expression, languishing in sumptuous clothing. Tonalism quickly came to be considered outdated with the advent of modernism and abstraction in art, though Dewing was successful in his own day. His art was considered extremely elegant, and has undergone a subtle revival in the last 10 years or so. Dewing was a member of the Ten American Painters, a group of American Impressionists who seceded from the Society of American Artists in 1897. He spent his summers at the art colony in Cornish, New Hampshire.






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